Wednesday, December 31, 2008
Red Pears With Silver
16 x 20
Oil on Canvas
This is the last of the year's commissions. Commissions are always interesting things. Made to order paintings that are a wonderful challenge yet are fraught with the inevitable worries that the painting may not be what the collector had in mind.
On the flip side of that are the studies that I've been doing which are done purely to examine, explore and practice. Whether it turns out good or bad isn’t such a concern. In painting mileage counts, the more you paint the better you are bound to get if you are willing to explore and try new things that will inevitably bring about failure. Happily our successes are built upon our failures and improvement is inevitable.
Red Pears With Silver is a quiet and more formal painting than the recent studies and I'm glad to say it looks better in real life. The photo somehow sucks the life out of it and I can't quite figure out what I've done wrong. As I carry on with the studies I wonder what my painting will look like a year from now.
And speaking of years, here we are, another one gone. Elections, political upheaval, economic disaster, strife of all kinds around the world and yet I feel incredibly hopeful and full of anticipation. As I sit in my studio today watching the snow fall I realize that the cycle of life just keeps on keeping on. What is happening in our world today has always happened in one way or another yet new lives are created while other lives end, joys continue to be had and sorrows too.
I feel incredibly blessed to live the life I lead and thank you all for following and sharing my art. My wish for you all is continued awareness and enjoyment of the beauty in life. How lucky we are!
Happy New Year.
at 11:14 AM
Tuesday, December 16, 2008
Reflections on White
Another quick two hour study. Normally I try to make my color and values as accurate as possible, only emphasizing them when I think an area needs enhancing or toning them down where required. I keep my brushstrokes quite controlled and not overtly visible but as I do more of these studies I see how making the the marks big and bold is simply another measure of control as is manipulating the color. Brushstroke placement, thickness and direction are even more important when they're large and bold because they are so very visible. One ill placed mark and you've got a bulls eye on your painting. I'd love to do one of these every day but illustration and commissions have to have their share of the time too.
at 6:20 AM
Monday, December 1, 2008
I recently had an interesting interview with Dini Menendez of the Oranges & Sardines blog who interviews poets and artists. Answering the questions for interviews always makes me think about my art in a way that I don't always do. After all we're busy making it and we sometimes we go along not really paying attention to what, why and how we make our art. Things like this really makes you a bit more aware of your artistic self.
at 7:32 AM